Music in the Somerset Hills: Education, Artistry, and Community Through Music
The mission of Music in the Somerset Hills is to provide musical experiences of the highest quality to those who live and work in the Somerset Hills and the surrounding communities.
Board of Trustees
Stephen Sands, Artistic Director
Matthew LaPine, Director of Education
Brian Harlow, Church Concert Series Director and Principal Keyboardist
Richard Somerset-Ward, President of the Board
Cathy Pane, Treasurer
Joan Seigle, Chair of Development
Alison Davidson, Chair of Communications
Katharine Baer, Administrator
Luthien Brackett, Betsy Johnston, Pamela Nardone, Kristin Sands, Andrea Skerratt, Bill Skerratt, Ria Zazzarino
Artistic Staff Biographies
Stephen has been heard as the Evangelist and tenor soloist in numerous performances of Bach’s sacred oratorios, most recently with the Trinity Choir and Baroque Orchestra in the St. John Passion of J.S. Bach. As an ensemble member, Stephen sings with the Carmel Bach Festival Chorale, Vox Vocal Ensemble, Aoede Consort, TENET, Clarion Music Society, Pomerium, and the Choir of Trinity Wall Street under the direction of Julian Wachner. His extensive discography includes the recent releases of a CD of Bach Motets and the Complete Haydn Masses with the Choir of Trinity Wall Street. Recent releases include tenor solos in the Grammy nominated recording of Handel’s Israel and Egypt with the Choir of Trinity Wall Street, and a CD of Mannerist Motets of the Renaissance with Pomerium. An Aaron Copland grant recipient, Stephen was the Executive Director of the new Antioch Chamber Ensemble CD of choral works by Matthew Brown, titled (though love be a day).
As an Artistic and Executive director, Stephen has successfully raised funds from both individual and institutional sources for The Antioch Chamber Ensemble and Music in the Somerset Hills, an organization dedicated to music education and performance in northern New Jersey. He has had the pleasure of coordinating international performing tours, producing commercial recordings, and staging many self-directed performances. In 2012, Stephen raised funds for, produced and performed in a production of Handel’s opera Semele and Handel’s Messiah.
In addition to a successful career as a musician, Stephen is also a highly respected choral director and music educator. He has taught choral music to students in grades 3-12 in the Somerset Hills School District for over 16 years. Stephen was also the Youth Choir Director at St. Luke’s Church in Gladstone, NJ from 2003-2013. He is also the founder and Artistic Director of Music in the Somerset Hills and the Somerset Hills Community Chorus, which celebrates its fourth season in 2013-2014. Highlights of this season include a concert of works by Benjamin Britten and a concert of French Masterworks. StephenSands.net
Mr. LaPine is the Choral Director at Bernards High School, where his choral ensembles have received national acclaim and have performed in various locations along the East Coast, most recently at the Roper Performing Arts Center in Norfolk, VA and the Thomas Jefferson Memorial in Washington, D.C. He is also the Director of Male Ensembles with the New Jersey Youth Chorus, directing the Young Men’s Ensemble and the newly established Boys’ Ensemble. Mr. LaPine is Director of Education for Music in the Somerset Hills, a community organization whose mission is to provide musical experiences of the highest quality to those who live and work in the Somerset Hills and the surrounding communities. He is Director of Early Childhood Music Camps at Westminster Conservatory of Music and is a veteran member of the dynamic teaching team for Westminster Choir College’s Middle School Piano Camp where he has created and teaches the Eurhythmics, Plus! classes. Additionally, Mr. LaPine sings for the Roman Catholic Diocese of Metuchen (NJ) where he is a soloist, section leader, and guest conductor with the Festival and Chamber Choirs.
Mr. LaPine has been published in multiple works. He contributed the chapter “Prognosticating the Choral Ensemble’s Ear” to The Choral Rehearsal: Volume One, and the chapter “Schenkerian Analysis as an Analytical Tool for the Choral Conductor” in Inward Bound – The Choral Rehearsal: Volume Two; both books are authored by James Jordan and published by GIA. He is featured as a contributing author to Teaching Music Through Performance in Choir: Volume 2, as well as Teaching Music Through Performance in Middle School Choir, both published by GIA. Additionally, Mr. LaPine created an edition of Brahms’ Fest- und Gedenksprüche, which features a scholarly edition of the work with a complete Harmonic Immersion SolfegeTM analysis. It will be available as part of the Evoking Sound Choral Series, published by GIA. Further, Mr. LaPine coordinated and prepared Westminster Williamson Voices in the recording of multiple tracks for the Teaching Music Through Performance in Choir, Resource Recordings CD.
Mr. Harlow is active as a recitalist, accompanist, choir director, teacher and composer in the greater New York City area. In addition to serving as the Church Concert Series Director for Music in the Somerset Hills, he is Organist and Choirmaster of St. Luke’s Episcopal Church in Gladstone, New Jersey, Choral Accompanist for the Somerset Hills School District, and organ accompanist for the Rutgers University Chorus, Newark Campus. Previous positions have included St. Peter’s Episcopal Church in Morristown, NJ, and Assistant positions at Saint James’ Church, Madison Avenue in NYC, Trinity Church on the Green in New Haven, CT and Saint Thomas Church Fifth Avenue in NYC.
Mr. Harlow has given a number of recitals in the United States and England. He also performs regularly in organ duet recitals and with other instrumentalists. He is the recipient of two awards from the American Guild of Organists: the award for the highest grades on the Associate exam and the S. Lewis Elmer Award for the highest grade on an upper level exam. Mr. Harlow is a member of the executive board of the Metropolitan New Jersey chapter of the American Guild of Organists, and Instrumental Music Reviewer for the Journal of The Association of Anglican Musicians. Mr. Harlow has recorded for Koch International Classics and BKM Associates.